Don Giovanni, From Mozart s Beloved Opera - 1328 Words

You know that they are more necessary to me than the bread I eat! Than the air I breathe!† The passionate and powerful person that says those words is not an individual one should praise. It is, in fact, Don Giovanni, from Mozart’s beloved opera Don Giovanni. The opera is the story of a trickster who seduces women and escapes from them, stripping them from their honor. The first act commences with the struggle of Donna Anna against Don Giovanni, who is hiding his identity under a mask. As she shouts, her father, the Commendatore, is woken up and strives to confront the man who has disowned his daughter. Consequently, they fight and Don Giovanni kills him. As the continuing scenes develop, the character meets a past girl, Donna Elvira, who is in love with him and believes to be his wife. Leporello, Giovanni’s servant, tells her about the many women he has been with. Still, she insists on stopping his future affairs by telling the women of Don Giovanni’s deed s. In the penultimate scene, the Don faces his inevitable fate, the inferno. It takes the divine forces to take him down, represented in the moving statue of the Commendatore. Don Giovanni is a quintessential example of the unfaithful man who lives a life of libertinage. Often, he has been described a hero. What characteristics do heroes embody, then? A hero is an individual who is esteemed for his courage, remarkable accomplishments, or honorable qualities. Therefore, Don Giovanni is the antonym of hero, embodying theShow MoreRelatedComparing The Queen Of The Night, Pamina, And Papageno1430 Words   |  6 PagesDie ZauberflÃ" §te, it may be viewed with a different background, namely its connections to fantasy. Much of this connection comes from the sources that were adapted into the libretto, but there are also links to the genre of the fairy tale in general. This essay will examine three characters in this context - the Queen of the Night, Pamina, and Papageno - and explore how M ozart has musically represented them. The origins of the Queen of the Night are found in the story Lulu, oder der Zauberflà ¶te (LuluRead MoreEssay on Amadeus2353 Words   |  10 Pagesuniverse comes to an utter halt. Salieriamp;#8217;s absolute faith in the world, in himself, and in God is all at once diminished by this spontaneous child composer. When the two opposite ends meet, there emerges a fury, a rage, and a passion in Salieri to sabotage the boy that has secured Salieriamp;#8217;s deserved God given talent; to destroy the one pubescent child that has made him so mute and naked now in a world of discordance. Salieriamp;#8217;s entire reputation and boyhood prayer to attainRead MoreThe Main Difference Between Opera And Musical Theatre1591 Words   |  7 PagesWhen imagining opera one cannot help but picture the iconic pigtailed woman wearing the horned helmet and holding a spear. This image certainly is an element of opera (Bloom) yet the discipline holds much more. Since its origins in sixteenth century Ita ly (Parker) opera has been fundamental to the performing arts. By understanding its rich history as well as its contemporary trends arts administrators may continue to present this beloved art form to their audiences. The word opera, in its modernRead MoreKey Signature and Beethoven9252 Words   |  38 Pages 1. Early years a. Beethoven born in Bonn b. Studied under Christian Gottlob Neefe (1748-98) c. 1787: brief visit to Vienna, may have played for Mozart d. 1790: Haydn hears Beethovens music and urges the archbishop of Cologne to send him to Vienna 2. Studies with a number of